The History of Paris Fashion Week to Become a World Fashion Event

big name Paris Fashion Week, there is always a long story that accompanies. This event is one of the prestigious fashion weeks that presents a series of collections from world’s legendary designers and labels.

Quoted from Vogue.co.uk, Tuesday (8/3/2022), famous for its theatrical and couture touches, Paris Fashion Week was initiated by Coco Chanel, Christian Dior, and Karl Lagerfeld. Paris is often referred to as the center of fashion to the city of haute couture.

A piece of the story accompanies the birth of a fashion show in Paris. In the early days of Paris fashion, designers like Charles Worth (in the late 19th century) and Paul Poiret (in the early 20th century) toyed with the possibility of displaying their clothes in person.

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Lady Duff-Gordon, who designed Lucile, did the same in London. Poiret also decided to combine trading, buying and selling activities with socializing and attending attended in their best attire.

One of the most eye-catching ones was the party of The Thousand and Second Night in 1911. At that time, Poiret presented lampshade dresses and harem trousers.

Continuing in the ’20s and ’30s, Paris became home to famous names, including the simplicity of Coco Chanel, Elsa Schiaparelli’s surrealist experiments, to the fluid draping of Madeleine Vionnet. The show is not like a big party, in fact it is much smaller and more individual.

Each fashion house will present their collections on a series of models, at special client-only events. With anxiety high about plagiarized designs, this is a closely guarded affair. At that time, there were no camera shots like today’s era. Photographers are strictly prohibited from perpetuating works.

After the second world war, Paris fashion shows became more and more regular. In 1945, the Chambre Syndicale de la Haute Couture stipulated that all couture houses must seasonally feature at least 35 night and day pieces.

Clothing is only available in size, with a lengthy ordering and installation process. Not only in Paris, other fashion industry influences also came from New York.

The war had prompted support from US-based designers at their first Press Week in 1943.

In 1947, Dior’s first collection, the Corolle, was attended by a large number of the fashion press and allowed to be photographed. It helps rearrange the fashion agenda with an exaggerated silhouette. Dior’s New Look is all about bold skirts, small waists and deliberate femininity.

Over the next few years, Dior helped direct the changing lines and forms of women’s clothing, rebuilding the Parisian scene with Hubert de Givenchy, Pierre Balmain and Jacques Fath.

In the 1960s, another name emerged, namely Yves Saint Laurent. The fashion house launched its prt-à-porter line in 1966, including its much-loved tuxedo suit.

Saint Laurent hints at another mood swing, a focus firmly entrenched in youth culture (reflected in Pierre Cardin and André Courrges’ space age collections, the latter of which encourages models to move naturally, according to their attire). Ready-made lines lead to success

The first official Paris Fashion Week took place in 1973 with the formation of the Fédération Française de la Couture and opened with the Battle of Versailles Fashion Show.

This battle sees the historic tension between Paris and New York fashion brought to life on stage as five of France’s greatest designers are pitted against five unknown Americans.

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This fundraising event to restore the Palace of Versailles featured Yves Saint Laurent, Emanuel Ungaro, Christian Dior (then designed by Marc Bohan), Pierre Cardin and Hubert de Givenchy of the French team, against Anne Klein, Halston, Oscar de la Renta, Bill Blass, and Stephen Burrows represent America.

Despite dramatic performances, including rhino-led caravans and a French Cinderella-style pumpkin carriage, America at the time, with its predominantly African-American lineup and performances by Liza Minnelli, was widely accepted as the winner.

Since then, the show has been bolder, from Thierry Mugler’s 1984 extravaganza at the Le Zenith stadium with a crowd of 6,000 to Jean Paul Gaultier’s conical bra which debuted that same year. This was made famous by Madonna when she wore her designs for her 1990 Blonde Ambition World tour.

The revival of Chanel’s self-reference at the hands of Karl Lagerfeld in the 1980s resulted in many unforgettable runway moments. Meanwhile, the formation of a new wave of Japanese designers, including Yohji Yamamoto and Comme Des Garçons, resulted in a revolutionary way of thinking in terms of style.

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