Isabelle Huppert: “Never be a good or bad victim: either you are or you are not”

The actress plays in easy target To Maureen Kearney, unionist Areva, a multinational corporation dedicated to nuclear power, which has suffered Brutal attack on his home. A stranger tied her to a chair, put a hood over her head, and inserted a knife by the handle into her vagina. Police suspected that he had staged the assault. For society it was not a “good victim”. But its history and its reflection in the film acknowledge the shadow region. According to director Jean-Paul Salome, “Isabelle’s performance reinforces this ambiguity, and The viewer also doubts. There is a scene where he crashes his car into a tree “then he disappears for three hours and to this day he hasn’t explained what he did,” Salome recalls. We talk with Huppert about the movie and this special character.

Q: Did you meet Maureen Kearney before you started the movie?

R was found. I didn’t know her then, we met in another way. For the preparation of the character we have relied chiefly on his physical appearance, which is quite unexpected in the case of a person recognized for his union. We copy it. Plus the character contributed something “Hitchcockian” to her ambiguity, and that contributed a lot to the way she was recreated, those darker, darker areas of her story.

Q: Did you meet her later once the movie was completed?

R was found. A little earlier, since he came a few times, when we were filming the trial scenes. Today she is still talked about as a suspicious person, who has a double sentence, because of what happened to her and because of the way society views her.

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Q: What do you think of her, her stance and intransigence, in her struggle against the regime?

R was found. I was very interested in fighting them, in this way of trying to save 50,000 jobs. But this double sentence, in which many people suspect he didn’t tell the truth about what happened to him, strongly suggests dealing with it in a movie. It was very important that the voice of both those who believed and those who did not believe in him was heard. There is a whole series of strange and confusing details, that she burned the chair in which she was bound and tortured. Maureen has something of the character Erin Brockovich (a movie starring Julia Roberts about the woman who fought for the rights of people with a suspicious illness), but we took her in a different direction.

Q: Do you identify with the characters you play? Do you keep a distance between you and them?

R was found. I’m a very cold actress, but I want to understand you. What I am about to explain does not concern me personally. Acting is not an emotional issue for me. I like to respond to what’s happening on screen as a spectator, not an actress, and I don’t take personal involvement when you’re playing someone.

Q: Does it work in the same way when you incorporate a real character, as in this case, as when it is an invented person in film or in literature?

R was found. I don’t feel any responsibility to the person I’m playing when they actually exist. I took a lot of liberties with Maureen Kearney, like creating more mystery and uncertainty. Didn’t bother. He is a very curious private person. The idea was to create an annoying character from the get-go. The important thing in this interpretation is the nuance, chiaroscuro.

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Q: The film exposes the corruption of the system and the helplessness of the people before that system, and it explores this terrible idea of ​​who is or isn’t a good victim.

R was found. To be a good or bad victim is to deny one’s status as a victim. Whether it is you or not, there is nothing good or bad about being a victim. The idea of ​​taking sides with the male abuser speaks to one of the most devastating aspects of patriarchy. The judge stood with the men.

s. This is the second time she has worked with Jean-Paul Salome, who directed you before in “Mama Maria”. Salome has made adaptations of series such as “Arsène Lupine” and “Belphegor”, and with you makes films of a more social nature. Do they understand each other well?

R was found. Jean-Paul creates the best conditions for all performers, the comfort necessary for the development of characters and understanding of each other. Cinema is a language, if everything is well expressed, good results come by themselves. Salome adds that as a viewer, she thinks about what she would like to see in a movie starring Hubert, and that she tries to find material that she enjoys. when they did Mama MarieThe actress has not been doing comedy for a long time. Huppert identifies as a school in its own right.

Q: “Easy Goal” deals with the argument of power between men and women. Have you noticed any differences in the treatment between actors and actresses in the photo session?

R was found. I didn’t notice anything like that. An actor expresses himself differently than an actress, yes, but I have never encountered the situation where an actor’s opinion weighs more than mine. I’ve always felt so central to the films I’ve made.

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Q: You’ve worked with Asian filmmakers like Hong Sang Soo, Rithi Banh, and Brillant Mendoza. This year I shot “Sidonie in Japan” in Japan and “Luz” in Hong Kong, directed by Flora Lau from Hong Kong. Did the idea of ​​being in other film cultures always appeal to you?

R was found. Yes. I haven’t seen Flora Lau yet, and I hope to see one soon. But the one I’ve never worked with is a Spanish director.

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Q: Would you like it?

R was found. Of course I will.

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