Harrison Ford | Indiana Jones at the Cannes Film Festival: Official Farewell to “Indy”

Indiana Jones and the dial of fate’ is the best Indiana Jones movie of the past three decades. The statement in and of itself can be impressive, but much less so if one considers it At that time, only the fourth installment of the epic “Indiana Jones and the Kingdom of the Crystal Skull” (2008) had seen the light of day, and it turned out to be an unfortunate film. – It is enough to remember that the hero survives a nuclear explosion stuck in a refrigerator, and has an encounter with aliens-; No one with half a brain would put it on the same level as the original trilogy that makes up ‘Raiders of the Lost Ark’ (1981), ‘Indiana Jones and the Temple of Doom’ (1984) and ‘Indiana Jones and the Last Crusade’ (1989), which in addition to being amazing It was unusually fun and exciting.

Although sometimes it generates these sensations, “Disc of Destiny” is saddled with a handful of flashy action sequences but isn’t particularly inspiredand unremarkable minor characters and a surplus of digital effects that rob it of the materiality and immediacy that once defined the saga.

Directed by James Mangold, who got the baton from Steven Spielberg, it tells the same kind of story as all of its predecessors.: the search for a priceless artifact that supposedly has magical powers and which, if it falls into the wrong hands, can be very dangerous. Specifically, the object is the Antikythera, a contraption made of wheels and levers that Archimedes supposedly designed in his day and that possibly allows its owner to travel back in time. At least on paper, he’s a “McGuffin” out of a book, which is why the excessive attention the film pays to the details of his operation gets tedious.

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Return of the Nazis

Those who complained about the absence of Nazis in “The Kingdom of the Crystal Caravel” are in luck, as many of them appear in the new movie. being shot, hit, or thrown; “So many Nazis,” Harrison Ford mutters during the long prologue, which is set at the end of World War II—in these scenes, the actor appears with his face convincingly regenerated by a computer—before he jumps off the top of a fully advancing train. Speed ​​for rough river water.

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Later, we see Jones riding a horse through the tunnels of the New York subway, starring in a run through the streets of Tangiers on a tuk-tuk and encountering giant moray eels as he crosses Greek waters with Antonio Banderas – who spends two minutes on screen acting a lot – and never seems to be in danger. real at any time. The movie also claims that his age is not an issue. Not even in the most exciting scenes does he give off a sense of being out of breath or feeling old because of it, quite the opposite. At 80, however, Ford once again exudes charisma in what is undoubtedly the last incarnation of the character. “I need to sit down and rest a bit,” he told a news conference today.

None of the moments in which the actor starred in “El dial del destinio” reach levels of emotion, even minimal, equal to those of the speech he gave last night., when the festival presented him with an honorary Medal of Honor by surprise. The film, in fact, seems to have been designed to present the viewer with basic and simple stimuli, and to avoid in the slightest affecting the image which the audience has of its legendary hero; Nothing about this is amazing except for the final climax, which is absolutely crazy but surprisingly warm. Of course, seeing the character on the big screen one last time is enough to provide undeniable gratification, but the sense of fun doesn’t interfere with acknowledging that the sole reason this film exists is to drive fans’ nostalgia, and remove the bitter taste in the mouth they spent the next fifteen years with. past years.

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