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Deborah Levy: “The less bisexual about the world, the better”



Daughter of two activists against racism A South African, dissatisfied thinker with her own time and an expert on the female subjectivity in her writings, Deborah Levy (63) is today one of the The UK’s most respected literary voices. He spent the ’80s writing risky plays – Derek Jarman, charismatic film director Like me, is the one who gave him the wrong scene – and at the end of the decade, Levi turned to narrative. In 2011, with swimming househe received his first nomination for booker, an award that has been decided upon on two other occasions. The last one The man who has seen it all (Random House/Angle), the mystery story of an addictive reading he wrote at the same time he celebrated. CV is under constructionan essential work exploring women between the ages of 40 and 60, an age group that has hardly produced literature.

he is too Enjoy life, as evidenced by his penchant for Greece, where he spends long periods of time, the perfect counterpoint to his rainy days in London. Greece is a very humane place, people live at a slower pace and life is simpler. You’re sitting under that blue sky with a nice piece of bread, a juicy tomato, some feta cheese, some olives, and a glass of local wine, and it’s all worth it. I know of no better place to read or write & rdquor; he says with burning eyes. He also confirms that he loves to swim in those waters. I would have done it this week in Barcelona if it weren’t for the huge swelling these days. Of the possible icy waters, he does not comment on anything.

The man who has seen it all, written in 2016, and now being published, is related to the need the author feels regarding stopping this low-pitched anxiety that seems to be making an impact in our society. “Books should be written differently from newspapers. Of course, we have to watch the outside, on what is happening around us, but the important thing is how we internalize that gaze that should help us distance ourselves from this mass of news that drags us in and does not allow us to move away. mobile look. Literature should slow down the human rhythm.

Like David Lynch

The men The title of the novel is Saul, a young and strikingly bisexual British historian who, after separating from his photographer girlfriend, goes to the German Democratic Republic in 1988, just a year before the fall of the Wall. The All is history The second half of the twentieth century, the arrival point of various authoritarian regimes. The demonic temple will be delighted David Lynch Lost Highwaythis is how it is told: the reader is never sure if one of the key moments in the novel, the hero’s impulse in the novel The legendary Abbey Road is a zebra crossing It takes place in 1988 or 2016. It is that the work mixes and uses all times at the same time. “I liked the idea of ​​playing with the Abbey Road Junction because today it is a place where tourists perpetuate their reinterpretation of history, something very similar to what I do in the book.”

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Another symbolic place in the book Berlin Wall, which appears about to fall and is already demolished. In the novel, Saul feels that his father has built a wall between them This wall is masculinity as it was traditionally conceived. For me it is a way to connect the small personal anecdote with the great history. It seems to me important to say that the personal is not only political, but also historical.” The concept of the wall was very present in the thoughts of the most populist politicians who had the best example in Trump: “We see it with Brexit, which calls for a closure Borders and ending the free movement of people. It made me think of the German Democratic Republic, which locked its citizens in walls built of fear. In the long term, it is impossible to maintain a wall supported by fear.”

With all our inconsistencies and inconsistencies, we don’t conceive of ourselves as ‘he’ or ‘she’. We are all ‘it’.

As it could not be otherwise in the case of Deborah Levy, the work charges against traditional gender stereotypes. “I wanted to overturn the idea that men think and women feel. I’m not interested in a world characterized by the rules of dualism, the less dualistic the world, the better. It is true that young men give less and less importance to the masculine/female duality, which is wonderful, but I go further: in our inner selves, with all our inconsistencies and contradictions, we do not conceive of ourselves as The okay she all of us He. She. I am interested in this ability to imagine that we are freer than we are.”

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