To be in a place you want to be in another place. Loneliness. relations. memories. The work revolves around these ideas More ideas It premiered this Tuesday in Madrid channel theaters. It is a multidisciplinary proposition: the starting point is contemporary dance, but the artistic installation that frames it and the music are so present that they come face to face with the dance itself. In a picturesque space, a dance troupe is not: the artist and the musician not only express themselves through their specialties, but also do so by dancing with the architect of the project: Sefilian Lucia Vasquez.
“It is, indeed, in the cult of poverty, of the simple, that true luxury is found.” This sentence from the work submission sums up its spirit. “Germs were some of the ideas I wrote from reading about Zen,” he explained. Lucia Vazquez About his latest creation a few days before its premiere in Madrid. Inspiration is found in the school of Buddhism that seeks, through meditation, calm, and simplification of actions, to eliminate mental structures that cause anxiety and suffering. “I had this idea many years ago, as a solo, but I kept it in a drawer. And when the call for art residencies at the Teatros del Canal came up, I decided to salvage it and turn it into something bigger.”
The dance is simple, slow, slow. Neither technical nor intended: Vásquez chooses to express himself through gestures and formal structures that seek to move the viewer. work for him three heads: their dance, music Miguel Marin (The composer who was part of the independent group magic piano In the nineties, then Tree and Montgomery He has composed many musical compositions and creations for dance performances) and a composition for the contemporary Seville artist Julia Yerina, which work from matter, from found pieces, to construct a story, which in further thoughts are intertwined lines of thought, alive and sounding. There is a fourth element framing the show: the lighting by Benito Jiménez, very dynamic especially at the beginning and end of the work to give movement and depth to the composition which ends up becoming the fourth dancer.
“The miguel landscape music, Also with a point of nostalgia,” the dancer explains about her choice. From the sounds generated by the various materials used in Llerena’s installation, Marín has composed the music (which also includes live performance) that is presented in the work as a quartet (presented) from the stage, but also from behind the audience) and paired this with Llerena’s recitations “based on the most intimate thoughts a person might have,” says Vázquez. “Julia sets the installation as if it were a script that tells a story, a memory and some thoughts, and ends in real time. I love everything you do because it’s so simple, but it evokes situations and feelings much deeper than it might seem.”This is the first time Llerena has worked through her body In working at an audience meeting after the premiere, he explained that he was getting into the idea of body expression from the proposals of Vasquez and Marin, who had worked as a dance partner before. Sometimes, her dance complements that of the other two characters. In other cases, he acts as a pair for Vasquez, as if she is engaged in a dialogue with herself or with her own thoughts.
Lucia Vazquez is a A turbulent and versatile dancer. She studied classical ballet and contemporary dance in her native Seville. He trained with teachers from the National Ballet of Cuba, such as Carmen Roche and then in Andalusian Dance Center under the supervision of Blanca Lee, Now the coach of the Teatros del Canal de Madrid. “My identity is built from my travels,” he explains. From the age of 14, he completed his academic training with workshops in New York, Berlin and Vienna… “People are usually surprised when I say I’m from Seville,” he says with a smile. “I decided to stay in Contemporary dance because it’s more free I felt that I could express myself more comfortably. also It has more risksI can switch to more things.”
The experience will be decisive for him: after two years of coming and going to Japan, where his partner was, he decided to settle there. He stayed four years. “It gave me a different view of the era. Dance performances in Japan are not fast, Things don’t happen all the time, but they lengthen the movements even more,” he recalls. But I realized that it was something that was already inside of me, and it appeared there but was very much connected to something I already had inside.” All that experience, that way of expressing himself, is in his most recent work, more rigidity, One way or another, but it has permeated all his proposals so far, and not always in an obvious way.
At work for the first time in The Paella Canal Course from Teatros del Canal de Madrid, Accompanying Vazquez are two other artists. But cooperation is usual for her: Marin was already (also dancing) at his previous jobAnd the about rabbit (It premiered in Seville in 2021) and was part of the stage provided by Marine to present her last album (Just another confused animal) from 2020. He has also worked alongside Japanese dancers like Saori Hala and Satoshi Kudo. “It’s usually because a creative liking has emerged and I want to share creativity with this artist, so we can enrich each other,” he explains.
She also participates as a guest artist in the creations of other artists: she regularly works with Manuela Nogales (Basque dancer and choreographer) Flamenco dancer Andres Marin (which a few days ago received a National Dance Award) in two of its proposals. “I like to allow myself to be freely shaped and directed. I am very curious, very open-minded and love all kinds of creative people.” Isn’t flamenco related to its Seville origin? “No, I learned flamenco like other disciplines at the Andalusian Dance Center, but I was never interested in him nor good at him”Shows. “With Andrés Marín I work from Contemporary, his shows are an explosion of creativity. I love working with him, he has a great sense of humor and he works very well, he is very open to other people’s ideas.”
After the premiere of the movie More ideas In Madrid – where he also represents him on Thursday – his new works can be seen at the Alhambra Theater in Granada (November 9) and at the Central Theater in Seville, in March. The three participating artists also wish the piece to be part of the Museum of Contemporary Art, with the installation in the center, lit as in the theater and surrounded by the creativity of Marín’s voice. “It would be interesting to be able to perform low passes in choreography, a new dance space as part of a complex work,” Vasquez imagines.