COLDPLAY in Spain | Magical and group trance at Estadi Olímpic



Perhaps, more than just a set, it is a walking attraction, whose tour rivals not so much other pop events as Disneyland or a Champions League match, but foul play This wed unfolded about twenty songs in Olympic stadiumAnd, in the end, it was the music that went on for the night aiming for the group’s solid company. The audience, as part of a lavish and at the same time magical “show” of intimacy, in the first four nights dedicating the power of this multicolored pop and bearer of goodwill.

The open stage, as if open to the entire stadium, two spheres with esoteric symbols and a welcoming environmental video. And the first song, in its powerful spirit: “Higher Power,” about our extraordinary strength and the astronaut we carry inside (or something like that). Chris Martin sang as he transitioned to the alternate stage through the long catwalk, wrapped in the first “big bangs” of thousands of (returnable) LED bracelets that made Estadi a kind of heavenly vault.

Snake charmer

But Coldplay is more majestic than overwhelming and rich in tone: exuberant on “Afro-funky” borders on “Adventures of a Lifetime” and giving way to snake charmer on “Paradise” (Martin, dominating crowds without shouting or whispering). And with the will to force the emotional recollection, with piano and acoustic guitar, of a respectable old piece like “The Scientist,” one berates oneself for being too rational in the relationship.

Chris Martin took the floor there, and gave it to us “bona nit good night & rdquo; And they show us their gratitude for being there “despite the crowds and the queues & rdquor;”. After anticipating “the best ‘show’ of our lives, he had a few words for the legendary artist who disappeared on Thursday with the ceremony dedicated to the beautiful Tina Turner& rdquo;.

See also  PricewaterhouseCoopers' panel of experts raises its forecast for growth in Spain this year by five-tenths, to 1.9%.

Castellera in action

The group managed to create a file A good sequence of breaks and elation, arranged plots of darkness and tones for confetti, balloons and an invitation to jump in society (which, in kinetic carpets, loop curls, became clean energy). Soon he attacked Barcelona (and Barcelona) with the “hit” par excellence, “Viva la vida”, followed by an even closer hit, “Something Just Like This” (recorded with The Chainsmokers), sparing no gestures that bring him closer to an audience. Perhaps most shocking dry stop for “yellow”a piece from his first album, when Martin sees a girl soaring, like a “Castillera”, just a few feet from his nose. “It’s the best thing I’ve ever seen in a concert & rdquo;.

Swinging from one stage to the next, but without giving himself Superman, Chris Martin dominated the field with an attitude of enjoying the show as much as the audience. Those red hearts formed in the stands next to the bracelets (in “The Human Heart”) may seem cliched, but in the context of the concert they responded to their loving and enveloping reason for being. And they didn’t get involved: They were followed by “People of Pride” (with Martin making his own rainbow flag) and a piece, “Clocks”, distant and tormented, to the delight of fans of the first Coldplay.

Rise to power

Related news

After all, they’re four English guys who sing about love (“My universe,” their chemistry with the Koreans from BTS) and who want us to be happy at their concerts. Martin was skilled at Like a reboot of “A Sky Full of Stars” is telling us to put our phones away, so we can just be “bodies and souls.” (and fireworks). And it was alarming, already in the encores, with the final brilliant stunt, when the rumba took over after “Sunrise”.

See also  Premier League: Guardiola: "I'm not optimistic about racism in Spain"

neither more nor less than The Gypsy Kings sprang into action recording Coldplay with soulful “Proud Mary,” By Creedence Clearwater Revival, pointing towards Tina TurnerAnd who succeeded in adapting the subject in his day. Immediately after this, the rumblero cadence was applied, the sonorous “Bamboleo” (“Caballo viejo” venerable by Venezuelan Simon Diaz), and Domenico Modugno’s “Volare” (official title “Nel blu dipinto di blu”). The crowd is somewhat stunned, but has joined the party (in one form or another), and the celebration that Coldplay has resumed its run with “Fix You” tasted like glory.

Related Articles

Leave a Reply

Your email address will not be published. Required fields are marked *

Back to top button