Brian Cox, Patriarch of Shakespeare

Floral shirt, fuchsia tie, dark blue jacket with white details, sly smile and finger pointing to work: Saturn devouring his son, by Goya. «This is how they describe meHe says sarcastically. He refers to his role as patriarch in the succession, that chain that reminds us of Shakespeare’s King Lear, but the painting will also illustrate many of the despicable roles he played throughout his career such as that open tongue that eats hypocrisy with the teeth

Brian Cox (Dundee, 1946) is intimidating. He knows it, and seems to be licking his lips. Socialist and staunch supporter of Scottish independenceHe had enough shortcomings in his childhood that his anger still persists. Cox was the youngest of five children, his father dying when he was eight. His mother worked as a spinner in a jute factory, whenever mental illness allowed. His childhood was marked by poverty. And he had to fend for himself without the guidance he needed.

Yes, maybe it was this anger he still felt that led him to play so many bad guys. too much. Because his career is long. He is now, in his seventies, when Success came to him more emphatically, but it was no accident. His commitment to acting is so complete, that he ties together decades of hard work and aspirations to death like that of actor Leonard Rossiter: Sudden heart attack in the dressing room, about to take the stage.

The theater became his home, and perhaps also his family, and Shakespeare engraved his interpretation and greatness. At the age of 14 he entered the Dundee Repertory Theatre. He later gained admission into the prestigious London Academy of Music and Dramatic Art and soon began a successful career starring in several productions by the Royal National Theater and the Royal Shakespeare Company. It was precisely his interpretation of King Lear that held him in special esteem.

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His role in the caliphate brought him worldwide fame. he A cruel portrayal of a parody of the patriarch of an industrial empire who controls and abuses its children. The series has all the typical ingredients of Shakespeare’s legacy, and has managed to capture his character perfectly. So much so that the writers even wanted to place the patriarch’s birthplace in Dundee. so much that He himself allowed himself to comment publicly on his sons’ interpretation.

He did not hesitate to call Jeremy Stron’s modus operandi “extremely annoying”. But his comment is not a negative criticism of the outcome of his performance, but rather a criticism of his work process. Stron is a method actor, the American school of acting that seeks an immersive experience for the actor, getting into his characters skin to the point where his real life is affected by that experience. Marlon Brando, Al Pacino, Robert De Niro or Joachim Phoenix are some of his references. For a classically trained British actor like Cox, he finds this obsession unhealthy..

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Cox does not bite his tongue. And if he means that both actor Steven Seagal and Donald Trump have “delusional views of their talents,” he says. but Their opinions don’t stay on a whim, and the generosity ends up showing. In his own way, of course. Like when he says Nicolas Cage is a better actor than he looks, but he makes “dirty movies.” Or, “Donald (Trump) is stupid. Fucking idiot of the first order. But she became. Like it or not, he’s human.” From that point on, from the question of why someone would turn into a monster, he worked in roles like Hannibal Lecter (played by him for the first time) or Nazi war criminal Hermann Göring, a performance that earned him an Emmy.

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Cox’s sharp action, his interest in culture and politics, those opinions he spouts left and right with the liberty that intelligence—and age, he himself admits—gives him They define him and also make him magnetic. Next stop: his directorial debut in a film about a distillery in Scotland. He has a casting problem: “There are a lot of older actors who are recovering alcoholics! They can’t get close to a distillery!” Sure, the thing is, he speaks plainly.

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